Dreyer’s “Gertrud,” like the various installments of “The Bachelor” franchise, found much of its drama basically from characters sitting on elegant sofas and talking about their relationships. “Flowers of Shanghai” achieves a similar effect: it’s a film about sex work that features no intercourse.
. While the ‘90s may still be linked with a wide selection of doubtful holdovers — including curious slang, questionable style choices, and sinister political agendas — many with the decade’s cultural contributions have cast an outsized shadow on the first stretch in the 21st century. Nowhere is that phenomenon more evident or explicable than it really is for the movies.
Even more acutely than both of the films Kieślowski would make next, “Blue” illustrates why none of us is ever truly alone (for better worse), and then mines a powerful solace from the cosmic thriller of how we might all mesh together.
The aged joke goes that it’s hard for your cannibal to make friends, and Bird’s bloody smile of the Western delivers the punchline with pieces of David Arquette and Jeremy Davies stuck between its teeth, twisting the colonialist mindset behind Manifest Destiny into a bonafide meal plan that it sums up with its opening epipgrah and then slathers all over the display until everyone gets their just desserts: “Eat me.” —DE
This stunning musical biopic of music and trend icon Elton John is one of our favorites. They don't shy away from showing gay sex like many other similar films, along with the songs and performances are all leading notch.
The result is our humble attempt at curating the best of a decade that was bursting with new ideas, fresh Power, and as well many damn fine films kendra lust than femdom any top 100 list could hope to consist of.
The ingloriousness of war, and the root of pain that would be passed down the generations like a cursed heirloom, is often seen even in the most unadorned of images. Devoid of even the tiniest bit of hope or humor, “Lessons of Darkness” offers the most chilling and powerful condemnation of humanity inside a long career that has alway looked at us askance. —LL
That’s not to convey that “Fire Walk with Me” is interchangeable with the show. Running over two hours, the movie’s mood is much grimmer, scarier and — within an unsettling way — sexier than Lynch’s foray into broadcast television.
helped moved gay cinema away from being a strictly all-white affair. The British Film Institute rated it at number 50 in its list of the very best 100 British films of your twentieth century.
Want to watch a lesbian movie where neither on the leads die, get disowned or find yourself alone? Happiest Season
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was praised huge boobs by critics and received Oscar nominations for its leading ladies Cate Blanchett and Rooney Mara, so it’s not specifically underappreciated. Still, for every one of the plaudits, this lush, lovely time period lesbian romance doesn’t get the credit rating it deserves for presenting such a lifeless-correct depiction of the power balance in a queer relationship between two women at wildly different stages in life, a theme revisited by Kate Winslet and Saoirse Ronan in 2020’s Ammonite.
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Annette Bening and Julianne Moore play the moms of two teenagers whose happy home life is thrown off-balance when their long-in the past anonymous sperm donor crashes the party.